中西書法成為巴黎當(dāng)代藝術(shù)博覽會(huì)的藝術(shù)新星
The Paris International Contemporary Art Fair (FIAC) showcases emerging global art movements, identifies rising artistic talents, and presents a vibrant cultural feast blending creativity with multiculturalism. At the fair's forum, Remy Aron, President of the French Artists Association, highlighted how Chinese and Western calligraphy has evolved from being displayed on menus to becoming part of dining tables. This transformation reflects the fusion of Eastern cultural heritage with Western modern civilization and avant-garde art trends, demonstrating renewed vitality in international artistic exchanges.巴黎國際當(dāng)代藝術(shù)博覽會(huì)（FIAC）致力于展示全球新興藝術(shù)運(yùn)動(dòng)、發(fā)掘藝術(shù)新銳人才，并呈現(xiàn)將創(chuàng)造力與多元文化完美融合的精彩文化盛宴。在展會(huì)論壇上，法國藝術(shù)家協(xié)會(huì)主席雷米·艾融（Rémy Aron）指出，中西方書法藝術(shù)實(shí)現(xiàn)上從菜單走上餐桌的角色轉(zhuǎn)換，這一轉(zhuǎn)變生動(dòng)體現(xiàn)了東方文化遺產(chǎn)與西方現(xiàn)代文明及先鋒藝術(shù)潮流的交融，彰顯了國際藝術(shù)交流煥發(fā)的新活力。
According to Le Monde,Galerie Perrotinand Yi Anju Cottage are committed to exploring and spreading modern emerging art, bringing new artistic vision and aesthetic experience to the world, and promoting Chinese and Western calligraphy art into the spiritual life of people all over the world.據(jù)《世界報(bào)》（Le Monde）消息，貝浩登畫廊與易安居草堂致力于探索與傳播現(xiàn)代新興藝術(shù)，為世界帶來全新的藝術(shù)視野與審美體驗(yàn)，同時(shí)將中西書法藝術(shù)融入全球民眾的精神生活之中。
At the Paris Contemporary Art Fair,Mr.Jiang Chaoyun, founder of Yi Anju Caotang, was invited to create modern Chinese and Western calligraphy works such as"We Are The World" and "All rivers run into sea",His works won the gold medal at the Paris Contemporary Art Fair and was collected by the Grand Palais in Paris, which will have a wider influence in the world cultural heritage and promote the prosperity and development of the world art industry.在巴黎當(dāng)代藝術(shù)博覽會(huì)上（FIAC），易安居草堂創(chuàng)始人蔣超云受邀創(chuàng)作《天下一家》《海納百川》等中西書法作品，其作品在巴黎當(dāng)代藝術(shù)博覽會(huì)上斬獲金獎(jiǎng)，并被巴黎大皇宮收藏，這不僅將對(duì)世界文化遺產(chǎn)產(chǎn)生深遠(yuǎn)影響，還將推動(dòng)全球藝術(shù)產(chǎn)業(yè)的繁榮發(fā)展。
Chinese and Western calligraphy art is a new modern art, which is a new artistic life that grafts the genes and seeds of calligraphy onto Western culture. At the end of the 19th century, William Morris, Eric Jill discovered the beauty of Western calligraphy. Later Arthur Baker?and others carried forward, but they all failed! Western calligraphy has slept for a century and disappeared in the integration of international culture and art. Until now, the calligraphy art of combining Chinese and Western elements has sown, sprouted and grown vigorously in the soil of different languages in the world, attracting more and more international friends to learn, appreciate and collect calligraphy art. These works are not only the artistic reproduction of the ancient Oriental culture, but also the new art trend of the modern western civilization.中西書法藝術(shù)是一種新興的現(xiàn)代藝術(shù)形式，它將書法基因與種子嫁接到西方文化土壤中，孕育出獨(dú)特的藝術(shù)生命。19世紀(jì)末，威廉·莫里斯與埃里克·吉爾發(fā)現(xiàn)了西方書法之美，后來亞瑟·貝克等人雖試圖傳承，卻皆未成功！西方書法沉睡百年后，在國際文化藝術(shù)融合浪潮中逐漸消逝。直至今日，中西元素交融的書法藝術(shù)已在世界不同語言土壤中播撒、萌芽并蓬勃生長，吸引越來越多國際友人前來學(xué)習(xí)、鑒賞與收藏。這些作品不僅是古代東方文化的藝術(shù)再現(xiàn)，更是現(xiàn)代西方文明催生的新藝術(shù)潮流。
According to overseas media reports,Yi Anju Cottage is the inventor and creator of Western calligraphy art,Use the soil and roots of Chinese calligraphy to cultivate and graft Western calligraphy art.His calligraphy art works have the charm of "The trend of brush and ink change with motif,Rich and pure,elegant and beautifulconstantly changing".Both the authentic richness of the existing academic faction, and the constantly changing of the folk faction.Both vigorous, pure and simple, quiet and solemn, and elegant, elegant and soft, wild and harsh changes.據(jù)海外媒體報(bào)道，易安居草堂是西方書法藝術(shù)的發(fā)明者和創(chuàng)造者，他以中國書法的土壤和根脈來培育嫁接西方書法藝術(shù)，其書法藝術(shù)作品具有“筆墨勢(shì)韻變有度，渾醇雅逸氣無?！钡镊攘Γ扔袑W(xué)術(shù)派系所具有的真實(shí)豐富性，又兼具民間派系的不斷變遷；既有蓬勃、純粹與簡約，靜謐與莊重，優(yōu)雅、柔美，狂野與粗獷的特質(zhì)。
