Théodore Géricault
泰奧多爾·席里柯
法國, (1791-1824)
席里柯（Théodore Géricault, 1791-1824）被譽為法國浪漫主義藝術(shù)的先驅(qū)，在世僅短短的33年，席里柯的才能和氣魄對法國畫壇產(chǎn)生了不可磨滅的影響。
——?By ArtYouhua
作品欣賞
Officer of the Chasseurs charging on horseback,1812
畫家席里柯（Théodore Géricault, 1791-1824）被譽為法國浪漫主義藝術(shù)的先驅(qū)，在世僅短短的33年，席里柯的才能和氣魄對法國畫壇產(chǎn)生了不可磨滅的影響。
The Raft of the Medusa,1818-1819
席里柯生于法國魯昂，幼年隨全家遷往巴黎，1808年從畫馬名家韋爾內(nèi)學畫。1810年入蓋蘭畫室，與德拉克洛瓦相識，常去盧浮宮臨摹古代大師的名作。學生時代席里柯就表現(xiàn)出不肯循規(guī)蹈矩地遵從古典原則的氣概，被他保守的老師所排斥，認為他學畫沒有什么前途，最好改行。以后席里柯去意大利學習，驚嘆米開朗基羅的創(chuàng)造力，成為這位大師的崇拜者。
The Blacksmith's Signboard,1814
席里柯有志于創(chuàng)新，注重個人情感的表達，在作品中往往流露出米開朗基羅般的宏偉感和運動感。席里柯常從現(xiàn)實生活中獲取靈感，描繪他一生熱愛和熟悉的馬匹和騎手，繪制大量速寫然后進行創(chuàng)作。席里柯的第一幅參加沙龍展的作品《沖鋒的騎兵軍官》，表現(xiàn)了戰(zhàn)火紛飛的戰(zhàn)場上一位揮刀馳騁的指揮官，榮獲金獎。席里柯還創(chuàng)作了取材于當代事件的不朽巨作《梅杜薩之筏》。席里柯的作品曾去英國展出，得到很高的評價。
Slaves stopping a horse, study for The Race of the Barbarian Horses,1817
席里柯一生與馬緊密相連，他自幼崇拜馴馬，以后又繪制了多幅關(guān)于馬的作品，如《獅攫馬》、《埃布松賽馬》（1821年）等，席里柯畫馬的習作多達上千幅，最后因墜馬受傷身亡，年僅33歲。
The Wounded Cuirassier,1814
Anatomical Pieces,1819
The Epsom Derby,1821
Portrait of a Kleptomaniac,1819-1822
Horse leaving a Stable,1810
Head of a horseman,1812
Portrait of the Carpenter of The Medusa,1812
The Wounded Cuirassier,1814
The?three skulls,1812-1814
Wounded Cuirassier,1814
Rifleman,1814
Portrait?of?Rifleman,1814
The head of?white horse,1815
The Kiss,1816
Study for the Race of the Barbarian Horses,1817
The Wild Horse Race at Rome,1817
Leda and the Swan,1817
The?Horse Market,1817
Naked man reversed on the ground,1817
Artillery?caisson,1818
Boxers,1818
Heroic Landscape with Fishermen,1818
The Return from Russia,1818
The?murderers carry the?body of Fualdes,1818
Wagons filled with?wounded soldiers,1818
A Portrait Of A Young Man,1818
A man,1815-1819
Head of a Drowned Man,1819
Head of a Shipwrecked Man (study for the Raft of Medusa),1817-1819
Portrait of Eugene Delacroix,1818-1819
Portrait of Louise Vernet as a Child,1818-1819
Portrait?of Alfred?and?Elizabeth?Dedreux,1817-1819
Study for The Raft of the Medusa,1819
Young blond man,1818-1819
English Jockey,1820
Horse?carriage,1820
Portrait?of?Laure?Bro,1818-1820
The?asleep fishmonger,1820
The?Page?Mazeppa,1820
Alfred Dedreux as a Child,1819-1820
Portrait?of?Mustapha,1820
Scene of the Deluge,1820
Entrance?To The?Adelphi?Wharf,1821
Head of an Oriental, or Portrait Presumed to be Mustapha,1819-1821
Horse?in the?storm,1820-1821
Horses going to a fair,1821
The Tempest,1821
The?Bagpipe?player,1821
Dead Cat,1821
Horses,1821
Man on the street,1821
The head of lion,1821
Coal cars,1821-1822
Five horses seen from behind with croupes in a stable,1820-1822
The Madwoman, or The Obsession of Envy,1822
The Woman with Gambling Mania,1819-1822
Horses of the Auvergne,1822
Portrait of a Man, The Vendean,1822-1823
Study?for?Dead horse,1823
The Plaster Kiln,1822-1823
The?Insane,1822-1823
Three horses?in?their?stable,1822-1823
Two?post-horses?at?the?stable,1823
Study of a Dapple Grey,1812-1824
The Horse Race,1820-1824
The Horse Race,1820-1824
Maria Serre,1824
Shipwreck,1821-1824
Old?Italian?peasant,1824
A Young Negro Woman
An Italian montagnard
Arabian?Stallion?led?by?two?Arabians?to breed
Brown Horse in the Stalls
Colin Alexander,?painter
Gray?horse?rack
Heads of Torture Victims (study for The Raft of the Medusa)
Horse (Eastern)
Horse attacked by a lion
Lying Lions
Marie de Medici at Pont-de-Ce
Napoleon's Stallion, Tamerlan
Officer?of?Chasseurs?of the Imperial Guard
Paysage Classique: Matin
Portrait of Lord Byron
Portrait of?young?boy, probably?Olivier?Bro
Presumed Portrait?of?Pierre?Paul?Royer-Collard
Scene?of?Cannibalism for The Raft of the Medusa
Self-Portrait
Spanish horse?in a?stable
Study for Bay horse seen from behind
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