喬治亞·歐姬芙（Georgia Totto O'Keeffe，1887年11月15日－1986年3月6日）是一位美國(guó)藝術(shù)家，被列為20世紀(jì)的藝術(shù)大師之一。歐姬芙的繪畫(huà)作品已經(jīng)成為1920年代美國(guó)藝術(shù)的經(jīng)典代表，她以半抽象半寫(xiě)實(shí)的手法聞名，其主題相當(dāng)具有特色，多為花朵微觀、巖石肌理變化，海螺、動(dòng)物骨頭、荒涼的美國(guó)內(nèi)陸景觀為主。她的作品中常充滿著同色調(diào)的細(xì)微變化，組成具有韻律感的構(gòu)圖，某些時(shí)候歐姬芙畫(huà)中的物品外輪廓，讓觀者感到此物品的清脆感。
看完了在kunstforum wien austrian bank 的展後對(duì)這位藝術(shù)家印象深刻，
她的畫(huà)傳遞著對(duì)這個(gè)世界的美好，
花朵總讓人聯(lián)繫著性感
而對(duì)真實(shí)的追求卻在畫(huà)布中柔美的體現(xiàn)出來(lái)，
鮮艷的色調(diào)和亦假亦真的形態(tài)
-攝影師畫(huà)廊主人先生Alfred Stieglitz比她大三十多歲，兩人惺惺相惜
-花是毆姬芙的成名作
Georgia O’Keeffe
7.12.2016 - 26.03.2017
Georgia O’Keeffe (1887–1986) was a founder of American Modernism and a pioneer as an artist. The opportunities to see O’Keeffe in Europe are rare: her paintings are distributed around the leading US collections, where they have gained an iconic status. This retrospective now provides a view for the first time in Austria of O’Keeffe’s oeuvre, which encompasses seven decades. Among the exhibits is also Jimson Weed/White Flower No. 1 (1932), the most expensive picture by a woman artist ever auctioned.
O’Keeffe debuted in 1916, exactly a hundred years ago, in an artistic circle dominated by men surrounding her later husband, the photographer Alfred Stieglitz. The exhibition starts off with her lesser known early work, with its close affinity to Wassily Kandinsky’s “spiritual” abstraction. O’Keeffe’s monumental flower pictures of the 1920s, which under the influence of the writings of Sigmund Freud evoked strongly sexualising interpretations, are among her most popular subjects. Formal specifics like the sharp focus, the cutting-edge delineation and the close-up are a visual demonstration of O’Keeffe’s innovative transposition of photographic strategies into painting. The show underlines this artistic dialogue with a selection of photographs by Alfred, Ansel Adams and Paul Strand. O’Keeffe’s almost abstract late landscapes inspired by the bleak, endless desert of New Mexico embody the creation of “The Great American Thing”, a specific American art, and anticipate the art trends of Abstract Expressionism and Minimalism. The exhibition accentuates O’Keeffe’s singular position, assumed through her bridge-building between European Modernism and American post-war abstraction, also through her constant mediation between a relationship with nature and abstraction, between organic and geometric, feeling and de-personalisation.
The exhibition was organized by Tate Modern in cooperation with the Bank Austria Kunstforum and the Art Gallery of Ontario, Toronto.
Curated by Heike Eipeldauer and Tanya Barson (Tate Modern).
kunstforum Georgia o'keeffe 介紹
喜歡畫(huà)蔬果花骨頭海螺和山門(mén)，對(duì)shape的執(zhí)著和靈感碰撞
