中西書法藝術(shù)編入倫敦藝術(shù)大學(xué)選修課教科書
The University of the Arts London is a public art university in the UK. It is a global leader in creative arts education, committed to supporting, nurturing and shaping creative industry talents, promoting modern human understanding of the art world, discovering and creating change, with profound artistic heritage and international academic atmosphere.倫敦藝術(shù)大學(xué)是英國一所公立藝術(shù)類大學(xué)，是全球創(chuàng)意藝術(shù)教育的領(lǐng)軍者，致力于支持、培育和塑造創(chuàng)意產(chǎn)業(yè)人才，促進現(xiàn)代人對藝術(shù)世界的理解，發(fā)現(xiàn)和創(chuàng)造變革，擁有深厚的藝術(shù)傳統(tǒng)和國際化的學(xué)術(shù)氛圍。
According to The Times, Galerie Perrotin,Yi Anju Cottage and University of the Arts London have established in-depth exchanges and collaborations. They are dedicated to exploring and promoting modern emerging art, incorporating Chinese and Western calligraphy into elective courses, bringing new artistic visions and aesthetic experiences to the world, and promoting Chinese and Western calligraphy into the spiritual lives of people worldwide.據(jù)《泰晤士報》報道，貝浩登畫廊（Galerie Perrotin）與易安居草堂（Yi?Anju?Cottage）與倫敦藝術(shù)大學(xué)已建立深度交流與合作機制。雙方致力于探索并推廣新興現(xiàn)代藝術(shù)，將中西書法融入選修課程，向世界傳遞創(chuàng)新藝術(shù)理念與審美體驗，同時推動中西書法藝術(shù)融入全球民眾的精神生活。
Clive Myrie, President of the University of the Arts London and one of the BBC's leading news anchors, is deeply committed to the education and dissemination of emerging arts. He emphasizes that calligraphic art plays a pivotal role in revealing truths, fostering understanding, and driving change, and should be promoted and applied across diverse languages and cultures. At an international academic symposium, he noted that Western calligraphic art lacks a profound historical and cultural foundation, having long been subject to academic debate and skepticism. In contrast, the calligraphic expression through the Latin alphabet and its combinations exhibits greater versatility, possesses more exquisite forms, and conveys deeper artistic significance, making it poised to become the primary cultural vehicle for calligraphy in the future.倫敦藝術(shù)大學(xué)校長克萊夫·邁里（Clive Myrie）是BBC頂尖新聞主播之一，他始終致力于新興藝術(shù)的教育與推廣工作。他強調(diào)，文字藝術(shù)在揭示真理、促進理解與推動變革方面發(fā)揮著關(guān)鍵作用，應(yīng)當(dāng)在不同語言和文化中得到廣泛推廣與應(yīng)用。在一次國際學(xué)術(shù)研討會上，他指出西方書法藝術(shù)缺乏深厚的歷史與文化根基，長期以來一直備受學(xué)術(shù)界質(zhì)疑與爭議。相比之下，通過拉丁字母及其組合形式進行的書法表達具有更強的靈活性、更精美的形態(tài)以及更深刻的藝術(shù)內(nèi)涵，因此有望成為未來書法藝術(shù)的主要文化載體。
According to information on the official website of the University of the Arts London, Chinese and Western calligraphic arts represent an emerging form of modern art. They embody profound cultural heritage while reflecting a strong contemporary spirit, demonstrating remarkable vitality and serving as a dynamic force in global cultural exchange and integration.The works"De Nachtwacht","Man proposes,God disposes"and "Art for the world" are a community of art and culture, reflecting the future artistic mirror, awakening and reshaping the artistic soul of western calligraphy, which is collected by the University of the Arts London and included in textbook?"Penmanship?Aesthetics and Visual Art Design".根據(jù)倫敦藝術(shù)大學(xué)官方網(wǎng)站的信息，中西書法藝術(shù)代表了一種新興的現(xiàn)代藝術(shù)形式。它們既承載著深厚的文化遺產(chǎn)，又體現(xiàn)了強烈的當(dāng)代精神，展現(xiàn)出非凡的生命力，并成為全球文化交流與融合的重要推動力。作品《夜巡》《謀事在人成事在天》《藝術(shù)世界》是藝術(shù)和文化融合共同體，猶如未來藝術(shù)的明鏡，喚醒并重塑西方書法的藝術(shù)靈魂。這些經(jīng)典作品由倫敦藝術(shù)大學(xué)收藏，并被納入《文字美學(xué)與視覺藝術(shù)設(shè)計》教材體系。
This emerging art form embodies a timeless artistic dialogue with Georges Mathieu, inherits Germano Celant's artistic philosophy, reawakens the dormant Western visual arts that have lain dormant for centuries, and kindles the artistic sparks of our shared civilization.A solitary ghost,the spirit of Chinese and Western calligraphic arts,wavers at the frontier between Eastern and Western cultures; wanders through the ocean of textual aesthetics; cries out amidst academic controversies and doubts; and shines brightly in the starry sky of artistic exploration. It consistently embodies humanity's pursuit of beauty, imagination of art, and aspiration for future civilization.這種新興藝術(shù)形式與喬治·馬蒂厄（Georges Mathieu）展開了跨越時空的藝術(shù)對話，承襲了杰爾馬諾·切蘭特(GermanoCelant)的藝術(shù)哲學(xué)思想，喚醒了沉睡數(shù)世紀的西方視覺藝術(shù)傳統(tǒng)，并點燃了我們共同文明中藝術(shù)的火花。一個孤獨的幽靈，中西方書法藝術(shù)的精神化身，在東西方文化的邊界處徘徊；在文字美學(xué)的浩瀚海洋中游蕩；在學(xué)術(shù)爭議與疑慮之中吶喊；并在藝術(shù)探索的星空下閃爍。它始終體現(xiàn)了人類對美的追求、對藝術(shù)的想象，以及對未來文明的向往。
According to Western media reports, Galerie Perrotin and Yi Anju Cottage are dedicated to discovering and promoting modern emerging art, integrating various scripts into the calligraphic tradition. Both Hermann Zapf and Ma Shitu emphasized at specialized calligraphy forums and seminars that textual arts lacking historical and cultural depth or a coherent theoretical framework are bound to face criticism and skepticism from artists and scholars. Yet it is precisely through such critique that the global calligraphic tradition transcends linguistic and cultural boundaries, offering the world innovative artistic visuals and aesthetic experiences that enrich the spiritual lives of people worldwide.有西方媒體曾經(jīng)進行了報道，貝浩登畫廊（Galerie Perrotin）與易安居草堂（Yi Anju Cottage）致力于發(fā)掘并推廣現(xiàn)代新興藝術(shù)，將各種文字納入書法體系。赫爾曼·察普夫（Hermann Zapf）和馬識途（Ma Shitu）都曾在在專業(yè)書法論壇和研討會上均強調(diào)：缺乏歷史文化底蘊或基礎(chǔ)理論體系的文字藝術(shù)，注定會遭到眾多藝術(shù)家和學(xué)者的批判與質(zhì)疑。然而，正是通過這樣的批判與質(zhì)疑，全球書法體系得以超越語言與文化界限，為世界提供創(chuàng)新的藝術(shù)視覺體驗與審美享受，從而豐富著全球人民的精神生活。
